TV Work
On set and in the edit, across seven Gulf drama series.
- Role
- Assistant Director · Line Producer · Assistant Editor · VFX Supervisor · Director's Assistant
- Year
- 2019–2026
- Drama series
- Seven
- Commercials
- Four
- Latest
- Mataha, Ramadan 2026
What I do
I make television work on both sides of the camera. Since 2019 I’ve coordinated direction and production on Gulf drama series and commercials: rewriting scripts to production standard, scheduling shoots, making the calls on costume, sets, camera and character, preparing actors, running the floor as assistant director, and seeing the episodes through the edit, the effects and the music.
On my latest series I did all of it at once: assistant director, line producer, assistant editor and VFX supervisor on a 30-episode crime drama that aired across the Gulf in Ramadan 2026.
- Drama series
- 7
- Commercials
- 4
- On set since
- 2019
- Script
Rewrites that can be shot
Editing, analysing and rewriting scripts so they fit the schedule and the budget.
- Set
Creative calls
Costume, set design, camera and character decisions, and preparing actors for their roles.
- Post
Through to broadcast
The edit, effects and music selection, so tone and performance survive to air.
The shows
Mataha
- Format
- 30 episodes × 45 min
- Genre
- Crime thriller, 1990s Kuwait
- Aired
- Ramadan 2026, from 18 February
- My role
- Assistant Director · Line Producer · Assistant Editor · VFX Supervisor (12/2025 – 03/2026)
Hayat, buried in debt and about to lose her home, is offered a fortune to kill another woman’s husband. When a murder follows, she becomes the suspect, and a detective takes on the hardest case of his career, in a 1990s Kuwait with no phone records and no digital evidence.
- Production
Assistant Director
Running the floor for the director: breaking down scenes, calling the day, keeping cast and crew moving to schedule.
- Production
Line Producer
The day-to-day logistics of the shoot: schedules, resources and coordination between departments.
- Post
Assistant Editor
Supporting the edit as episodes came together for broadcast.
- Post
VFX Supervisor
Supervising the visual effects work across the series.
A story set in the 1990s has to hide the 2020s in every frame: the cars, the signs, the phone in a background actor’s pocket. That pressure touches the schedule, the locations, the art department and the effects pass at once, which is why it helps when the same person is on set and in post.
She's Gone with Water
- Format
- Limited series, 5 episodes
- Genre
- Social drama across three eras
- Aired
- 2022 on Shasha, later Netflix
- My role
- Production and direction team: coordination, script, scheduling and post
Adapted from a novel by Laila Al-Othman: three women in three eras of Kuwait, from the 1940s to the 2020s, each reaching for a love their world forbids. Three periods in five episodes meant three looks for wardrobe, sets and grade, kept distinct but woven into one story.
High Skies
- Format
- Drama series
- Genre
- Social family drama, period
- Released
- 2021
- My role
- Production and direction team: coordination, script, scheduling and post
A Kuwaiti family drama set in the country’s “golden era”: a tender mother, the gap between generations, and Kuwait’s ties with the people who came to live and work there. Shooting was halted by the 2020 lockdown and finished in three stages; the cast includes Jassim Al-Nabhan, Zahra Al-Kharji and Hamad Al-Omani.